{"id":2838,"date":"2026-10-08T15:16:58","date_gmt":"2026-10-08T13:16:58","guid":{"rendered":"https:\/\/phepoc-stlab.gr\/?page_id=2838"},"modified":"2026-10-08T15:16:58","modified_gmt":"2026-10-08T13:16:58","slug":"masoura-eva","status":"publish","type":"page","link":"https:\/\/phepoc-stlab.gr\/?page_id=2838","title":{"rendered":"Masoura Eva"},"content":{"rendered":"

\"\"<\/p>\n

Education: <\/strong>
\nPhD Candidate, Department of Graphic Design and Visual Communication, School of Applied Arts & Culture, University of West Attica (UniWA);
\nMA in Communication Design, School of Graphic and Industrial Design, Central Saint Martins College of Art and Design, UK. (\u0399\u039a\u03a5 scholarship);
\nMA in Typeface Design, Department of Typography and Graphic Communication, School of Arts & Communication Design, University of Reading;
\n\u03a0\u03c4\u03c5\u03c7\u03af\u03bf \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u0393\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd, \u03a3\u03c7\u03bf\u03bb\u03ae \u0393\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd \u03ba\u03b1\u03b9 \u039a\u03b1\u03bb\u03bb\u03b9\u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd, \u03a4\u0395\u0399 \u0391\u03b8\u03ae\u03bd\u03b1\u03c2.<\/p>\n

Dissertation title:<\/strong>
\nCompositors, Machines and Transparent Labour: The introduction of composing machines in Greece 1908-1940.<\/p>\n

Conferences:<\/strong>
\n\u039c\u03b1\u03c3\u03bf\u03cd\u03c1\u03b1 \u0395, \u201c\u2018\u0392\u03b5\u03bb\u03b6\u03b5\u03b2\u03bf\u03cd\u03bb\u2019 \u03ae \u2018\u03a0\u03b1\u03bb\u03b7\u03bf\u03c4\u03b5\u03bd\u03b5\u03ba\u03ad\u03b4\u03b5\u03c2\u2019; \u0397 \u03b5\u03b3\u03ba\u03b1\u03c4\u03ac\u03c3\u03c4\u03b1\u03c3\u03b7 \u03bb\u03b9\u03bd\u03bf\u03c4\u03c5\u03c0\u03b9\u03ba\u03ce\u03bd \u03bc\u03b7\u03c7\u03b1\u03bd\u03ce\u03bd \u03c3\u03c4\u03b1 \u03c4\u03c5\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03b5\u03af\u03b1 \u03c3\u03c4\u03b9\u03c2 \u03b1\u03c1\u03c7\u03ad\u03c2 \u03c4\u03bf\u03c5 20\u03bf\u03cd \u03b1\u03b9\u03ce\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03c0\u03c1\u03ce\u03c4\u03b5\u03c2 \u03b1\u03bd\u03c4\u03b9\u03b4\u03c1\u03ac\u03c3\u03b5\u03b9\u03c2\u00bb, 1\u03b7 \u0395\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u03a3\u03c5\u03bd\u03ac\u03bd\u03c4\u03b7\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u0395\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03c2 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2, \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u038a\u03b4\u03c1\u03c5\u03bc\u03b1 \u0395\u03c1\u03b5\u03c5\u03bd\u03ce\u03bd, \u03a4\u03bc\u03ae\u03bc\u03b1 \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03a6\u03b9\u03bb\u03bf\u03c3\u03bf\u03c6\u03af\u03b1\u03c2 \u03c4\u03b7\u03c2 \u0395\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7\u03c2 (\u0395\u039a\u03a0\u0391), \u0391\u03b8\u03ae\u03bd\u03b1, 2025
\nMasoura \u0395., \u201cCompositors, Machines and invisible labour, the Introduction of composing machines in Greece during the early 20th century\u201d, DADH 2023: Decentering art and design history: research, practice, education, University of Nicosia Cyprus, 2023.
\n\u039c\u03b1\u03c3\u03bf\u03cd\u03c1\u03b1 \u0395., \u201c\u03a3\u03c4\u03bf\u03b9\u03c7\u03b5\u03b9\u03bf\u03b8\u03ad\u03c4\u03b5\u03c2, \u03bc\u03b7\u03c7\u03b1\u03bd\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b1\u03c6\u03b1\u03bd\u03ae\u03c2 \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1. \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03ba\u03b1\u03b9 \u03c7\u03c1\u03ae\u03c3\u03b7 \u03c4\u03c9\u03bd \u03c3\u03c4\u03bf\u03b9\u03c7\u03b5\u03b9\u03bf\u03b8\u03b5\u03c4\u03b9\u03ba\u03ce\u03bd \u03bc\u03b7\u03c7\u03b1\u03bd\u03ce\u03bd \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1, 1900-1940\u201d, \u0395\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1: \u039d\u03ad\u03b5\u03c2 \u03ad\u03c1\u03b5\u03c5\u03bd\u03b5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03b9\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b5\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2\u00bb \u03c3\u03c4\u03b7 \u03bc\u03bd\u03ae\u03bc\u03b7 \u03c4\u03bf\u03c5 \u0393\u03b9\u03ce\u03c1\u03b3\u03bf\u03c5 \u039a\u03bf\u03c5\u03ba\u03bf\u03c5\u03bb\u03ad, \u0394\u03af\u03ba\u03c4\u03c5\u03bf \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1 \u03c4\u03b7\u03c2 \u0395\u03c1\u03b3\u03b1\u03c3\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u03b5\u03c1\u03b3\u03b1\u03c4\u03b9\u03ba\u03bf\u03cd \u03ba\u03b9\u03bd\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2, \u0395\u039a\u03a0\u0391, \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0399\u03c9\u03b1\u03bd\u03bd\u03af\u03bd\u03c9\u03bd \u03ba\u03b1\u03b9 \u03a0\u03ac\u03bd\u03c4\u03b5\u03b9\u03bf \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf, \u0391\u03b8\u03ae\u03bd\u03b1, 2022.
\n\u039a\u03b1\u03c1\u03b1\u03bc\u03c0\u03ac\u03c4\u03c3\u03bf\u03c2 \u03a7., \u0391\u03bb\u03ad\u03be\u03b7\u03c2 \u039d., \u039c\u03b1\u03c3\u03bf\u03cd\u03c1\u03b1 \u0395., \u201c\u039f \u03c3\u03b9\u03c9\u03c0\u03b7\u03c1\u03cc\u03c2 \u03c4\u03b5\u03ca\u03bb\u03bf\u03c1\u03b9\u03c3\u03bc\u03cc\u03c2: \u03a4\u03ad\u03c3\u03c3\u03b5\u03c1\u03b1 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac \u03c0\u03b1\u03c1\u03b1\u03b4\u03b5\u03af\u03b3\u03bc\u03b1\u03c4\u03b1 \u03b5\u03ba\u03bc\u03b7\u03c7\u03ac\u03bd\u03b9\u03c3\u03b7\u03c2, 1900-1940\u201d, \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1\u03c2 \u03c4\u03c9\u03bd \u0395\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03ce\u03bd \u03ba\u03b1\u03b9 \u03c4\u03b7\u03c2 \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2, \u0395\u039a\u03a0\u0391, \u0391\u03b8\u03ae\u03bd\u03b1, 2021.
\nKarampatsos C., Malisova P. & Masoura E. \u201cMachinery Introduction as Tacit Taylorism: Four Factories in Greece\u201d. WORCK Conference 2\/ELHN Conference 4: Historicizing the Concept of Europe in Global History, Vienna, Austria, 2021.
\n\u039c\u03b1\u03c3\u03bf\u03cd\u03c1\u03b1 \u0395., 5-day workshop \u00abExperimental Greek Type design\u00bb, member of scientific committee, FutureText_Athens Week, Polish-Japanese Academy of information Technology & University of West Attica, \u0391\u03b8\u03ae\u03bd\u03b1, 2019.
\n\u039c\u03b1\u03c3\u03bf\u03cd\u03c1\u03b1 \u0395, \u00ab\u039f \u03c1\u03c5\u03b8\u03bc\u03cc\u03c2 \u03c4\u03c9\u03bd \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ce\u03bd \u03c4\u03c5\u03c0\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03c3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03c9\u03bd\u00bb, 1\u03bf \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u03a3\u03c5\u03bd\u03ad\u03b4\u03c1\u03b9\u03bf \u0393\u03c1\u03b1\u03c6\u03b9\u03ba\u03ce\u03bd \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd, \u0399\u03c9\u03ac\u03bd\u03bd\u03b9\u03bd\u03b1, 2018.<\/p>\n

Fellowships\/ Awards\/ Distinctions:<\/strong>
\nFrutiger A., Masoura E., Type family: \u201cFrutiger Next Greek\u201d, Award of Excellence in Type Design, TDC2 2006, Type Directors Club New York, 2006.<\/p>\n

Teaching Experience:<\/strong><\/p>\n

2015 \u2013 present: workshop instructor of Typography and Type Design classes, external associate, Department of Graphic Design and Visual Communication, School of Applied Arts & Culture, University of West Attica (UniWA).<\/p>\n","protected":false},"excerpt":{"rendered":"

Education: PhD Candidate, Department of Graphic Design and Visual Communication, School of Applied Arts & Culture, University of West Attica (UniWA); MA in Communication Design, School of Graphic and Industrial Design, Central Saint Martins College of Art and Design, UK. (\u0399\u039a\u03a5 scholarship); MA in Typeface Design, Department of Typography and Graphic Communication, School of Arts […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2838","page","type-page","status-publish","hentry"],"yoast_head":"\nMasoura Eva - PhEPoC-ST(LAB)<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phepoc-stlab.gr\/?page_id=2838\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Masoura Eva - PhEPoC-ST(LAB)\" \/>\n<meta property=\"og:description\" content=\"Education: PhD Candidate, Department of Graphic Design and Visual Communication, School of Applied Arts & Culture, University of West Attica (UniWA); MA in Communication Design, School of Graphic and Industrial Design, Central Saint Martins College of Art and Design, UK. 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